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SECOND SPRING by Sandhya Jane








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Why Hindus visit temple?

I have been asked several times by my foreign  friends - Why Hindus visit temples?
After researching and talking to few experts, I found few reasons. Apart from spiritual need, people went to temple for social and scientific reasons.

Darshan: We visit temple for Darshana or see the 'sight' of the supreme lord. This helps the devotee to connect the god mentally and emotionally. It also help in concentrating fully with god and forgetting the rest of the universe around us. This 'Dhyana' or mediation creates vacuum in our continuous flow of thoughts that facilitate to attain peace.

Idol: God is humanized in the form of 'idol' that helps devotee to concentrate on an object. It gives a definite shape or form to our imaginary thoughts. In addition, every god or supreme power has certain characteristic to his/her personality and we ultimately wish to have them or improve in those area.

Rituals: Rituals in Hinduism are in different form. One set of rules are for temples and another for personal life. Temple rituals revolves around "pranpratishtha" or installing the idol of a deity in the temple with proper rituals of invoking god/goddess with sanskrit chanting, bathing the idol with milk, water, honey, clarified butter and yogurt (panchamrut i.e. 5 nectors or liquids), dressing up with cloth, flowers, ornaments, offering food and singing bhajan (devotional songs).

Every ritual invokes human 5 senses - touching(touching the deity), seeing(seeing the deity), tasting (panchamrut), smelling (flowers, camphor, and other things), hearing (the chanting, arti, bhanjan)...bring 'self' the present state or in temple completely.

On daily basis the worshiping is done in smaller scale to invoke and sleep the god in the form of idol. The same process is followed at home in much smaller scale.

There are other rituals in Hinduism are meant for social occasions such as marriage, and death and so on... this signifies the life and meaning we have for every part of the life and the way we accept and respect it. These rituals associated with the special occasions reminds us our duty or role or 'dharma' during that phase. Most of them are beneficial and scientifically  proven. For example, the silver toe rings are part of acupuncture  therapy that regulates uterus function in women and avoid diseases associated with. It also improve a sexual desire in women and therefore forbidden for unmarried  or widows to wear them.

Concept of Brahma: This concept remind us the value of I. I am Brahma. So do others. The temple may have one of more deities whom we worship or devote ourself with the concept of I am one part of the universe. I am also God. The devotion teaches us to let go off "I" that is main cause of stress and conflict in the personal and professional life.

Architecture: Most ancient temples have magnificent architecture that have scientific as well as spiritual significance. The scientific meaning of the temple architecture is associated with the scientific construction that includes the decor, angles, lights, the environment and the other things.

The common features of the temples are:
1. Central sanctum enshrines for the main deity
2. Secondary sanctums are for other deities such as Ganesha, Nandi and so on...
3. The space for the trained priest to perform rituals
4. The space in-front of the main deity is for devotees to stand/sit to worship or attend the Arti
5. The outside areas  either within the temple premises or outside the temple premises meant for public for attending social functions or discourse
6. There is additional space for devotees for pradkshana or parikrama or walk around the garbha graham or main section of the temple, but this is within the premises/external boundaries of the temple.

Pradaksihina or Parikrama: The reasons behind pradkshana is - we consider god is center part of our action, our thought and our world. When we go around, we keep the deity at the center of the gravity and consider it as the main focus of our existence. This concept usually helps devotees to consider to take life as it comes or consider this is devoted to the god /universe and we all are part of it. This is one of the ways to keep our mind balanced and peaceful by removing the focus from 'self' or 'I'.

The role Temples in Society: Temples, in general, played a larger role in the society that provided educational, social support in addition to providing them an emotional, and a spiritual support. Most temples in ancient India were also served as educational institutes or gurukul and the center for social gathering in the evening. The additional space within the temple is provided to people to held social rituals and ceremonies. The spiritual guru used the same space to give the discourse that taught most to stay away from materialistic, physical or emotional vices. The environment also helped to inculcate the basic virtue through friendship, forgiveness, humility, tolerance, courage, guidance and more...thus improving overall improvement.

Second Spring - READER’S MOMENT

This is copied from Ankita Chauhan's Blog

• Love in Life is never a battle of 'win' or 'loss' but a journey of unconditional acceptance.” 
• Love has a tendency to go out of the window when promises go awry, reality sets in, and responsibilities take over.
• Women are emotional and proud creatures. They need to be respected and cherished in a relationship or else things don’t work out. 
• Life comes with no guarantees. Who knows whether the next day’s sun will dawn at all? Best to savor everything right now. 
• I loved the anonymity that a mega city brought to my life. Nobody cared who you were or what you did, you were just a speck in the crowd. 
• Loving someone selflessly would mean praying for his or her happiness whether you are part of that happiness or not.
• If you love until it hurts, there can be no more hurt. Once we cross the deepest part of hurt, it doesn’t hurt anymore. You become part of the eternal journey of love… no hurt, no worries, and one just prays for the wellbeing of other person —that’s true love for you. Innumerable poets and philosophers throughout history have tried to figure it out— partially or incompletely. Love is a destined journey. 
• Perfect maturity is to understand why your loved one did what they did, although their actions hurt you, hurting them back is not an option. 

Overall, It’s an light hearted fiction, If you want to spend a beautiful weekend. Go For it.

http://soundingwords.blogspot.hk/2016/02/book-review-second-spring-by-sandhya.html

Poems inspired by - Second Spring: Sandhya Jane

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Second Spring - A Review

Sandhya Jane’s debut novel ‘A Second Spring … brings new hope’ reminded me of some novels by Indian women writers that I have read in the recent past. It also raised in my mind the same questions as contemporary women-centric works bring to the fore. Which is not to say ‘A Second Spring’ has been done before. It enjoys its own story-line and characters. Yet, it fits into the thematic mould of modern Indian women's writing rather well.

Avantika is a doting single mother and a successful investment banker, juggling her two roles with determination and discipline. Her confidence awes her colleagues and even more her juniors; Rohan, the attractive and smart aspiring banker, being no exception. Except, the handsome Rohan catches Avantika’s fancy in return too. The story proceeds as dual narrations alternating between Avantika’s thoughts and Rohan’s; their individual struggles with the idea of unconventional love yet their slowly growing dependence on and attraction for each other. Fate and free will both play a role in shaping their lives and easing the story onwards. Both protagonists speak directly to the readers throughout the book, spread over many years of their lives, but by the end of the novel the reins of the story are entirely in Avantika’s hands. Her ideas come to occupy centre-stage, eventually leading to the book's pleasantly surprising end and painting the aforementioned themes of women-centric novels in mature hues. Even though the blurb plays spoil sport by laying bare the whole story of ‘A Second Spring’, this review promises to say no more about the story.

The contemporary relevance of ‘A Second Spring’ lies in the issues that the book deals with. Marital troubles, single mothers, working professionals, younger lovers, tough decisions, opinions, power struggle between the sexes and how the presence of children defines and gives difficult dimensions to unconventional love affairs. 

The appeal of the book lies in the character of Avantika – the way she has been created and the manner in which her thoughts and mental conflicts are portrayed, in her own voice and through Rohan’s narrations. What is also charming is the unhurried pace at which this love story progresses, especially in Part I of the book. That both the protagonists speak directly to the readers keeps the readers involved, often feeling like confidants into their secrets. 

Avantika – the characterisation

The first predominant image of Avantika is of a mother who ‘wasn’t sure how I was going to manage carrying a child on my shoulder, three bags, and a travel mug of chai, but somehow I managed. I always did’. Strains of motherhood dot this working woman’s workaday as we see her chairing board meetings and rocking her son to sleep with equal ease. She does manage, knowing ‘small things counted big time’ with ‘the only man in my life’, Aarav, her son. 

Sandhya managed to create a calm and complete life for Avantika, up until Avantika develops feelings of concern (and more) for another man, Rohan. Reality dawns – ‘At my age, at that time and level of success, one tended to fool oneself into believing that one had outgrown the need for admiration and excitement’. Being a woman who took risks but always on her own terms, dreams of unhindered love are always qualified with restraint. In the meantime, the fire is burning as brightly for the ‘boss-lady’ in Rohan’s six-years-younger heart, whose ‘basic innocence that people like me had lost along the way’ makes Avantika realize a part of herself which no longer exists. In keeping with everything about her, it is Avantika who opens her arms to Rohan, literally, in a scene beautifully rendered and expressed as ‘it was a bit awkward, but it felt so good, like this was just how it was meant to be’. Avantika makes the first move. 

Each chapter gives voice to the conflict that is tearing at the unconfessed lovers’ insides. While Avantika’s somewhat maternal love for Rohan occupies her existence, to the extent of putting her time for her son at stake, Rohan cannot keep the thoughts of his conservative family away from his unconventional love story and though he ‘loved her too … (but) was confused by her’.

The maturity with which Sandhya has created Avantika make her doubts and dealings extremely real – ‘Soon, he would have no time for me. I could see the lonely road ahead of me’ – she muses, with age, marital status and professional success in life throwing up barriers to what she saw as wanton lust but knew as affection like never felt before. But her strength of character rules when things go amiss. ‘I had no intentions of waking down that path again just because the great man had had a change of heart’, and all feelings are sent into ‘deep freeze’ when Rohan walks out of the scene. Avantika is a thinking woman, and a doer too. 

Interestingly, this is where Part II begins, and this is the exact point where we see Avantika maturing up into a content woman, in touch with herself and one who has come to terms with the reality, albeit many miles from Mumbai, in a foreign country. Some beautiful scenes of contemplation, as one spring leads to another and Aarav grows up, offer us peeps into this woman’s evolving mind, still a mother first. She is alone, but not lonely, living in a community where ‘those sweet little homes looked happy to me – the very embodiment of family life. At least, this was the closest I came to it.’ Her child is a constant presence in her life, as are her studies, a friend who is ‘a sounding board for my deepest thoughts’, meditation and spiritual writing. 

And Rohan? Reconciliation has seeped in with his absence, and so has belief in destiny, a destiny which throws up another surprise her way. This time however, Avantika is far from what she left behind. ‘Do I need to forgive him? Do I need to accept him?’ You need to read to find out what happens, but I’ll leave you with these last words of a wonderfully created character and who makes an excellent life-choice in the end – 

‘These days, the highs and lows of life don’t get to me and I wonder if it’s acceptance or just indifference. Either way, I don’t get too involved in things beyond my control and that includes people… these days, words like passion, commitment, and forever sound strange to me.’

I couldn’t help but wonder how much of Sandhya’s own life’s philosophy has been used to create Avantika. It has to be the author baring her own mind through her character’s. The portrayal is so straight-from-the-heart that it cannot be any other way. Or can it? That the language has been kept simple and conversational, and devoid of heavy philosophy and lyricism that love stories are wont to have make it seem as if Sandhya knows these two people, for real.   

Slow unfolding – the pace

Sandhya did remarkably well in keeping the pace of ‘A Second Spring’ slow. Also, there is no noise of too many characters. How else would the thoughts of the two main characters occupy prominence and keep the reader listening, attentively? Avantika and Rohan’s love is not in a hurry, and the plot unfolds in tune with that speed. Part I shows us their connection building in strength, slowly but steadily. From ‘strange chemistry’ to ‘living in his company, unknowingly’; from entering a pub after six years to finally catching herself opening her hotel door to him in her nightdress, this book is as much Love’s story of growth as it is a love story. Of course, ‘the power struggle is an inevitable aspect of the man-woman relationship’ and so while I insist on calling it ‘love’, the story is a sweet, romantic rendition of the former too. 

In Part II, even though the linear narrative often skips many years together, the plot’s crests and troughs are kept limited to the central theme of the book; although by now we are more interested in Avantika’s story and Rohan calmly recedes to the background.

Ifs and buts

Of course, there are some. For instance, why has Sandhya felt obliged to explain every Hindi term in parenthesis right in the middle of the narrative? I thought it was unnecessary and also successful in breaking the reading flow. A glossary at the back of the book would have done just fine!

Then, at some points near the end of the book I realized how the readers are still being introduced to characters’ traits through the two narrations. It was not just late in the day but also  not required, because by then we knew Avantika and Rohan like the back of our hands. After all, it had been them talking about each other throughout the book.

Rhea’s reality (read to know more) was an unnecessary thread and I so wished Aarav, at the end of the book, got a chapter to voice his life. That would have been a fitting way to see a mature mother’s hard work in flesh-and-bones. Maybe, in a sequel to the book? 

Conclusion

‘A Second Spring’ is a tale about love with two protagonists but only one who manages to leave a mark in our thoughts. The book is how the story unfolds around her musing – ‘Thank God for normalcy. Thank God for family. I didn’t need anyone else, did I?’ and how she realizes that she does need someone only to re-examine her own decision, yet again. Overriding it all is ‘my sense of survival’ and a fantastic end which comes like a ‘Pleasant shock; joyous, explosive, unbridled’ making you wonder why the subtitle reads ‘It’s all about destiny’. (Please note that this sub-title is removed in second edition). Because this book is more about a mature woman’s bold, brave and wise decision-making ability rather than the fickleness of Fate alone. 

An easy and enjoyable read for lovers of this genre.

A Second Spring...Brings New Hope - Review by Sakshi Nanda

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I will be there for you...

When the memories will fade; 

I will appear as a ‘hope’ at your door step.

When you will be distracted by ‘greed’; 

I will appear as a ‘lighthouse’ to show you the path.

When you will be thirsty; 

I will appear as a ‘spring’ at every corner of your journey…

When you will be in ‘dilemma’; 

I will appear as an ‘inner voice’ to direct your thoughts.

When you will be sad; 

I will appear as a ‘clown’ to make you happy.

Whenever you will feel my ‘absence’; 

I will touch your heart and make you feel my presence…

---translated by Sandhya Jane..

-- Poet: Girish Morje 

अधुरे ख़्वाब ... (Incomplete Dream...)

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