Showing posts with label unconditional love. Show all posts
Showing posts with label unconditional love. Show all posts

Thursday, October 20, 2016

Karva Chauth: An Expression of Unconditional Love...

Karva Chuth is celebrated primarily in Northwestern Indian states on 4th day of the dark-fortnight in Kartik (Oct/Nov). The practice flourished with married women praying for their husbands' prosperity, wellbeing and long life. The women whose husband served in military would pray for their safe return from war-front and the one whose husband worked or owned farm prayed for prosperity and good harvest during this time.
Karva Chauth celebration
Pic Courtesy: Taru Bhargva
This was also an opportunity for married women to get together with their friends and celebrate...a much needed break from their daily routine to indulge in seeking some pampering, some attention, and some love from their family members.

The basis of celebration is love and sacrifice with few rituals that remained almost unchanged over few centuries. It gained popularity in recent years after Bollywood movies promoted and projected it as symbol of love. However, it didn't appeal to few who considered to be self-proclaimed intellectual and liberal having leftist ideology... or ultra feminist and they always looked down on Hindu festivals and customs, and didn't miss any opportunity to criticize it in various forms and intensity. 


"For them, Done for father = patriarchy and Done for husband = misogynyas nicely described by Narayan Ranganathan. They concept of family is I, me and myself or 'what is for me' in everything they do. Of course, they do not recognize the family as a unit. Women should just be by themselves, for themselves and of themselves.

Although this tribe is much smaller in comparison with rest of the populations, but, they are influential as their views usual get bigger (and undeserved) platforms to present their mediocre views and logic to make the point on most occasions...

Otherwise, majority of population love it and follow it blindly. They also love to show off their customs, their love for their spouse and of course, their beauty... :)


Karva Chauth in Hong Kong 
Pic Courtesy: Taru Bhargva 

Let me take you through few negative barbs created yesterday, otherwise the festival was well receive and celebrated among most women. It in fact went hi-tech as few could use modern tools and techniques such as mobile app for process of puja or mobile for representing / recreating sieve to see moon through. :)
While opposing the festival in bitter manner, Ms Sonia Chopra wrote in her article, "Some of view modern women have expressed will astonish you and let you think of what the knowledge age done to us...

It's a backward, regressive custom, steeped in superstition and showmanship. Who has the better sari? Better thalis? Better food? Better music for the celebration?

It's a meaningless traditional ritual that enslaves women and chains them to a myth of them being docile, meek, sacrificial tokens to pacify the angry God, who will grant longer lives to those husbands whose wives do not eat for a few hours." 


In contrast to the harsh comments, there was some milder and funny expression from Mrs Funnybones aka Twinkle Khanna who twitted, "That is a possibility-so I checked longevity records-100 countries where men without anyone fasting for them live longer than Indian men:)"

Ms Rita Banerji, self proclaimed feminist mentioned in her article written through an extremely narrow band, "Today millions of Hindu women, and girls, in India and around the world, will proudly perpetuate a festival whose fundamental tenet is misogynistic."

She further wrote in frustration, "Yet what perhaps is more amazing is the great excitement with which women -- even modern, educated, professional women -- continue to embrace this festival! It has become a fashion statement for celebrities, with Bollywood actors sending out Karva Chauth wishes via social media and female politicians announcing their fasts for their husbands!

Twenty-first-century India's media and gizmo crazy market is happily promoting this misogyny. "


One middle aged lady commented on my friends Facebook wall - 'Two things Karva Chauth most often portrays- One, a woman’s life is incomplete (or even miserable) without a husband so let’s pray we remain “sada suhaagan” because man is the savior and all that. Second, it also reveals a certain smugness amongst married women as they go about adorning themselves with symbols of ‘suhaag’, which doesn’t play well if you are around them and NOT married! I remember my time when I was ‘of age’ and not yet ‘taken’…oh God I used to hate the display of “being married, so being superior” attitude. 

"But now, 18 year of married life, this day is just one more occasion to break the monotony of routine and dress up and party when the moon comes out. A more attentive and pampering husband is welcome any day!!' Although she loved the idea of pampering on the day, but hated the concept of fasting for the husband. So, she was fine being regressive as long as she could hog all the attention."

In reply to her hypocrisy, her friends pointed out categorically, 'You make an interesting point. But don't you think that the same thing you experienced 18 years ago when you were 'of age but not taken' continues today? Don't you think that we are promoting regressive values even as we dress up and party innocently?"


One of my modern professional friends tried to balance her views with her post, "This day will soon be like father's or mother's day to take moments out for festivity. Many people have already left fasting and many like me don't even listen to the traditional "scary" story (of Beera) during the mandatory evening puja. As always, tradition will get a different hue with changing times."


Most of them never wrote about domestic violence in the west, husband's abandoning their families/duties for green pasture (younger women) and leaving their wives behind with the kids to fend themselves alone and many other serious issues in the marriage....leave apart raising their voice against the atrocities in Islam where women are living in under extreme conditions...The love is universal and family concept is universal that you will see through literature across the globe. Otherwise Nicolas Sparks style romance wouldn't have been popular in the West. 


What they have not realized is, women in west had to fight for their rights for centuries, in our country we had not faced such things. After independence all women had equal right in voting, politics, education, profession or civil laws...whoever could use the opportunity could succeed well in their chosen profession, otherwise we wouldn't see most women leaders in their 50s leading banks in India...so, they could manage the struggle to make their ways to the top... South Asian countries have seen women leading the nation, which was not easy in West and, of course, unimaginable in middle east.


Most of these women who criticized would never question the celebration of Valentines Day or Christmas or Ramadan fasting.


If we ever ask priests, doctors, army officers, airport officials and many who witness women (and men as well) saying goodbyes and praying for their spouse for their long life, wellbeing and happiness...it would be an interesting research....If the hospital or airport lounge wall could hear these feelings, one would understand the meaning and intensity of these prayers and selfless love. So, what is difference between praying for spouse in hospital / temple / church and praying for them at home every year? What is so regressive about it?Why do we need to justify our way of expression of love for spouse and family?


Do we need to create a narrow definition of love propagated and projected by ultra feminists? Don't we celebrate our love for parents, husband, wife, brother, and sisters...it is our culture, right?


I think, these kinds of celebration are neither the sign of regressive or oppressive, it is sign of clarity of our thoughts, our intentions, and our way of expressing our love...

Wednesday, April 20, 2016

Second Spring by Sandhya Jane: A Reader's view

This is an extensive analysis about "Second Spring" written by Ankita Chauhan. 


INTRO 
When I took a first glance of this book, literally I thought “Second Spring” is nothing but another love story that makes you travel a bit into dreamy land and ends with some obvious happy ending. But here author surprised me this book is lot more than just a love story. Not only you enjoy every bit of it plus you learn from every twist and turns of its protagonist life.

STRUCTURE 
Basically it is a story of a single mother, Avantika who is bold and beautiful in every aspect of life. She always believed in “not to lean on others shoulder” but when she met Rohan Rana she felt a sudden urge towards him due to his innocence. She got confused first but later on the connection been made. Though the feeling was mutual yet their relation couldn’t work out and they separated. 
No matter how much you try feelings take time to overcome. Avantika was trying to get over that pain with some spiritual learning and she accomplished it… suddenly Rohan reappeared and how things changed..? 

NARRATION 
Here I want to say that I admired the way Author narrated the whole story. The way she creates scenes is stupendous. While reading the whole image was in front of my eyes.. it was like a smooth journey where I met few interesting characters which made me realize about balance in life through their experiences. 

CORE 
Sometimes you don’t want to read just to get more stories, you read because you want to enjoy their little lovely or dark moments. If you feel the same, this book is for you cause author tried to create a whole life in front of us, you feel their pain, you smile with their happy moments. So I loved the book. Must say it is a healthy one but you couldn’t stop once you get started reading it. 
Generally we can’t take interest or we don’t have that much power to perceive what is happening behind the lighted glimmering world of corporate. This book is passage for you to know about their personal life. How they face challenges when it comes to relation. 

Source:
http://soundingwords.blogspot.hk/2016/02/book-review-second-spring-by-sandhya.html

Second Spring - READER’S MOMENT


This is copied from Ankita Chauhan's Blog

  • Love in Life is never a battle of 'win' or 'loss' but a journey of unconditional acceptance.” 
  • Love has a tendency to go out of the window when promises go awry, reality sets in, and responsibilities take over.
  • Women are emotional and proud creatures. They need to be respected and cherished in a relationship or else things don’t work out. 
  • Life comes with no guarantees. Who knows whether the next day’s sun will dawn at all? Best to savor everything right now. 
  • I loved the anonymity that a mega city brought to my life. Nobody cared who you were or what you did, you were just a speck in the crowd. 
  • Loving someone selflessly would mean praying for his or her happiness whether you are part of that happiness or not.
  • If you love until it hurts, there can be no more hurt. Once we cross the deepest part of hurt, it doesn’t hurt anymore. You become part of the eternal journey of love… no hurt, no worries, and one just prays for the wellbeing of other person —that’s true love for you. Innumerable poets and philosophers throughout history have tried to figure it out— partially or incompletely. Love is a destined journey. 
  • Perfect maturity is to understand why your loved one did what they did, although their actions hurt you, hurting them back is not an option. 

Overall, It’s an light hearted fiction, If you want to spend a beautiful weekend. Go For it.

http://soundingwords.blogspot.hk/2016/02/book-review-second-spring-by-sandhya.html


Friday, January 15, 2016

Second Spring - Review

Ms Jasleen Kaur, a blogger writes - 
The poem in the concluding chapter gives you a feeling of warmth. It seems you are reading the whole book again in a new and delicate way. There are some surprises waiting in the end. They cross your eyes one after the other, making it hard to leave the book. Every chapter has something new. The end is remarkable, completely unexpected and it makes your reading experience delightful.

Eye-catchers-
·  “...home cooked food, was rarer than a blue moon.”
· “This was again the old school thought of his priorities over my needs.”
· “Life comes with no guarantee who knows whether the next day’s sun will dawn at all!”
· “The vacuum was still there and moreover, he was still there as a part of me.”
· “It was wonderful to be cared for by a person who had seen so much of the world.”

Turn-on’s-
The narration is surely the best part in the story. It compliments the tale well and doesn’t bore you. The perfect balance between the portions given to a character for narration, commendable. It is a perfect way to start and end some heart wrenching ideas that a reader gets while reading.

Blurb-
Avantika, in her late thirty’s, doing exceptionally well in her professional and personal life. The monster headed boss and a very warm single mother of Aarav. Things were always her way, either at home or office.
Things never bothered her because she was exhausted due to work and responsibilities. The story is never complete without a man to sway the wind. Rohan, a new chapter in Avantika’s life make things smooth and harsh in her life, during different phases.
She felt nice when he was around, she was forgetting her past. But then things aren’t set up the way we want. What happens when things didn’t work? What happens when spirituality hit the nerves of Avantika? What happened when she quit being a boss? Will things get right for the protagonist Rohan and Avantika?

Title-
Second spring doesn’t let you peep in the story wholly. The title is an intelligent cover up and there should be no guessing before you start. It was well thought off.

Cover-
Like the title, same goes for the cover, subtle colours, soothing your eyes. Not allowing you to know the kind of story you are going to read, the emotions you are going to experience. But yes, if you think deep, you can know what it means after you step in.



#secondspring #book #contemporary #romance #corporate #lovestory #courage #inspiration #loneliness #longing #meaningoflife, #lovestory #unconditionallove #novel #bestseller

Wednesday, January 13, 2016

Second Spring - review

Here is the review of Second Spring by Shweta Kesari 
The end was not how I supposed it to be,but it is the way it has to be.Authoress has done a great job while knitting the plot.Her straightforward views let readers think sharply and her candid note on life would let readers realize how things take a turn nowadays.But obvious, with a change in time,stories has changed, and also the way human reacts, but to know who is the one to hold your hand till eternity is the vital decision to lead a happy life. I quite appreciate the note this story ended on.The story succeeded in showing readers a new facet to life.Through the protagonist Avantika, authoress brings a message for readers that it is easy to flow in the whirlwind of emotion , but hard to take a wise decision at the proper time.
A book which has more than a story to serve to readers.
Rating : 4.1/5

Reviewer : Shweta Kesari
Second Spring




To read it further - /http://madhyapradesh.johntext.de/review-of-second-spring/

#sandhyajane #secondspring #book #bestseller #life #novel #contemporaryroamnce #poetry #new-release #lovestory #breakup #longing #loss #grief #inspiration #meaningoflife #unconditionallove #mustread #AnthonyDoerr #PaulaHawkins #JohnGrisham #NicholasSparks #Stephen King #DavidBaldacci #MarkGreaney #LaurenGroff 

#secondspring #spring #novel #breakup #book #contemporary #romance #India #nspirationalstory, #SandhyaJane #unconditionallove #motivation #meaningoflife #lovestory #lovelines #loneliness #longing #life  

Sunday, December 13, 2015

Second Spring - Book Launch function in India

Here are some pictures of my book launch in India...
Second Spring
Shaina NC and I are talking about Second Spring



















Shaina NC reading Second Spring

Signing Second Spring

Interview with media about Second Spring
Interview with media about Second Spring

Synopsis: 
This is Avantika’s heartfelt journey through love and life
As a smart, successful, thirty-eight-year-old, single mother Avantika  seemingly has it all: a great career as a seasoned banking professional, respect and admiration from her peers as an able leader, fulfillment as a mother, and so many other things besides.
What is it then that drives her towards Rohan, a man six years her junior? He’s a man who ideally would not occupy much room in Avantika’s otherwise sorted mind space.
She has told herself she has no time for love.  Then, why does she make the choices she makes? Is it the sameness and banality of everyday existence? Is it the emotional vacuum? A need to relive life? A feeling that life as she is truly lived and felt is passing her by?
However, as she struggles with her feelings, Avantika and Rohan part ways… only to meet again. To what end? Why does Rohan want her back… and why now?
So many questions! Very few answers!
Avantika’s journey is as spiritual as it is emotional. Can love give second chances? Join Avantika in the twists and turns of her story, through her ponderings over the mysteries and vagaries of the word “love,” the complexities of human relationships, and the reassessment of all the values she has held dear…


#sandhyajane #secondspring #book #bestseller #life #novel #contemporaryroamnce #poetry #new-release #lovestory #breakup #longing #loss #grief #inspiration #meaningoflife #unconditionallove #mustread #AnthonyDoerr #PaulaHawkins #JohnGrisham #NicholasSparks #Stephen King #DavidBaldacci #MarkGreaney #LaurenGroff 







Monday, June 8, 2015

poem - inspired by 'A Second Spring'

मेरा होना तेरे होने का हासिल
तेरे होने में ही मुश्किल बड़ी है
तसव्वुर में ख़ुशी पाने की आदत
बड़ी बेकार ये आदत पड़ी है
जुदा वक्त ने तुझसे कर दिया,
पर हमारे बीच लम्हों की लड़ी है
ख्यालों में तुम्हारा अक्स जैसे
कोई उम्मीद आँखों में जड़ी है
हमारे और उसके दरमियाँ अब
ख़मोशी ही फ़क़त साझा कड़ी है
@nandita tiwari shared these beautiful lines for Avantika, a lead character in my novel....
she is currently reading my novel - A Second Spring...Brings New Hope

Sunday, June 7, 2015

Second Spring... - a lovely review

A Second Spring...Brings New Hope

Dear Ms. Jane, First, I applaud you for the topics you have taken up of present days world & its intricacies, i.e. Single Mother, Confident ,smart, helpful, hardworking but Lady Boss and the traditional values (on (love)marriages/ age of the spouse/responsibility of grown up children towards the family); which has Lost its way like Chinese whisper in the long journey but are chanted as early morning hymns which we Indians believe, these ‘Pratha’ rituals have connectivity with the Super Power. And Avantika has dealt with them all so well.
Second, applaud is for the characters made by you or are coming from the far off existence, all are strong. Infact the grayish character Shreya has shown her strength towards her exit; Except Rohan. He, knowing his affection towards Avantika and her past hurt; his own background and the planning towards his future in his family, takes such a step in Delhi, which becomes more weaker with the real introduction of ’Rhea’.
Third, Every character’s decision is based on the people around they love/care or are the support system, except Avantika . The three characters which are most effected in the course of novel are Shreya; who decides on her parents and Ady’s will Rohan; goes with his parents and the societ’s will, but Avantika waits for her son Aarav to grow to such an understanding to appritiate her mothers decision. She doesn’t pay heed to his choice which he made from her own sleep calls. So, I would say her decision was more practical than spiritual.
Avantika is progressive, practical, fun loving, and determined person, with calculative brains. I really got involved with her and emotions
Regards, Nandita
N.P.: I read the book twice first time I moved with flow and obviously my heart squeezed for Avantika and on second go I emerged with many enquiries.

Saturday, May 30, 2015

Second Spring...

Sandhya Jane’s debut novel ‘A Second Spring … brings new hope’ reminded me of some novels by Indian women writers that I have read in the recent past. It also raised in my mind the same questions as contemporary women-centric works bring to the fore. Which is not to say ‘A Second Spring’ has been done before. It enjoys its own story-line and characters. Yet, it fits into the thematic mould of modern Indian women's writing rather well.

Avantika is a doting single mother and a successful investment banker, juggling her two roles with determination and discipline. Her confidence awes her colleagues and even more her juniors; Rohan, the attractive and smart aspiring banker, being no exception. Except, the handsome Rohan catches Avantika’s fancy in return too. The story proceeds as dual narrations alternating between Avantika’s thoughts and Rohan’s; their individual struggles with the idea of unconventional love yet their slowly growing dependence on and attraction for each other. Fate and free will both play a role in shaping their lives and easing the story onwards. Both protagonists speak directly to the readers throughout the book, spread over many years of their lives, but by the end of the novel the reins of the story are entirely in Avantika’s hands. Her ideas come to occupy centre-stage, eventually leading to the book's pleasantly surprising end and painting the aforementioned themes of women-centric novels in mature hues. Even though the blurb plays spoil sport by laying bare the whole story of ‘A Second Spring’, this review promises to say no more about the story.

The contemporary relevance of ‘A Second Spring’ lies in the issues that the book deals with. Marital troubles, single mothers, working professionals, younger lovers, tough decisions, opinions, power struggle between the sexes and how the presence of children defines and gives difficult dimensions to unconventional love affairs. 

The appeal of the book lies in the character of Avantika – the way she has been created and the manner in which her thoughts and mental conflicts are portrayed, in her own voice and through Rohan’s narrations. What is also charming is the unhurried pace at which this love story progresses, especially in Part I of the book. That both the protagonists speak directly to the readers keeps the readers involved, often feeling like confidants into their secrets. 

Avantika – the characterisation

The first predominant image of Avantika is of a mother who ‘wasn’t sure how I was going to manage carrying a child on my shoulder, three bags, and a travel mug of chai, but somehow I managed. I always did’. Strains of motherhood dot this working woman’s workaday as we see her chairing board meetings and rocking her son to sleep with equal ease. She does manage, knowing ‘small things counted big time’ with ‘the only man in my life’, Aarav, her son. 

Sandhya managed to create a calm and complete life for Avantika, up until Avantika develops feelings of concern (and more) for another man, Rohan. Reality dawns – ‘At my age, at that time and level of success, one tended to fool oneself into believing that one had outgrown the need for admiration and excitement’. Being a woman who took risks but always on her own terms, dreams of unhindered love are always qualified with restraint. In the meantime, the fire is burning as brightly for the ‘boss-lady’ in Rohan’s six-years-younger heart, whose ‘basic innocence that people like me had lost along the way’ makes Avantika realize a part of herself which no longer exists. In keeping with everything about her, it is Avantika who opens her arms to Rohan, literally, in a scene beautifully rendered and expressed as ‘it was a bit awkward, but it felt so good, like this was just how it was meant to be’. Avantika makes the first move. 

Each chapter gives voice to the conflict that is tearing at the unconfessed lovers’ insides. While Avantika’s somewhat maternal love for Rohan occupies her existence, to the extent of putting her time for her son at stake, Rohan cannot keep the thoughts of his conservative family away from his unconventional love story and though he ‘loved her too … (but) was confused by her’.

The maturity with which Sandhya has created Avantika make her doubts and dealings extremely real – ‘Soon, he would have no time for me. I could see the lonely road ahead of me’ – she muses, with age, marital status and professional success in life throwing up barriers to what she saw as wanton lust but knew as affection like never felt before. But her strength of character rules when things go amiss. ‘I had no intentions of waking down that path again just because the great man had had a change of heart’, and all feelings are sent into ‘deep freeze’ when Rohan walks out of the scene. Avantika is a thinking woman, and a doer too. 

Interestingly, this is where Part II begins, and this is the exact point where we see Avantika maturing up into a content woman, in touch with herself and one who has come to terms with the reality, albeit many miles from Mumbai, in a foreign country. Some beautiful scenes of contemplation, as one spring leads to another and Aarav grows up, offer us peeps into this woman’s evolving mind, still a mother first. She is alone, but not lonely, living in a community where ‘those sweet little homes looked happy to me – the very embodiment of family life. At least, this was the closest I came to it.’ Her child is a constant presence in her life, as are her studies, a friend who is ‘a sounding board for my deepest thoughts’, meditation and spiritual writing. 

And Rohan? Reconciliation has seeped in with his absence, and so has belief in destiny, a destiny which throws up another surprise her way. This time however, Avantika is far from what she left behind. ‘Do I need to forgive him? Do I need to accept him?’ You need to read to find out what happens, but I’ll leave you with these last words of a wonderfully created character and who makes an excellent life-choice in the end – 

These days, the highs and lows of life don’t get to me and I wonder if it’s acceptance or just indifference. Either way, I don’t get too involved in things beyond my control and that includes people… these days, words like passion, commitment, and forever sound strange to me.

I couldn’t help but wonder how much of Sandhya’s own life’s philosophy has been used to create Avantika. It has to be the author baring her own mind through her character’s. The portrayal is so straight-from-the-heart that it cannot be any other way. Or can it? That the language has been kept simple and conversational, and devoid of heavy philosophy and lyricism that love stories are wont to have make it seem as if Sandhya knows these two people, for real.   

Slow unfolding – the pace

Sandhya did remarkably well in keeping the pace of ‘A Second Spring’ slow. Also, there is no noise of too many characters. How else would the thoughts of the two main characters occupy prominence and keep the reader listening, attentively? Avantika and Rohan’s love is not in a hurry, and the plot unfolds in tune with that speed. Part I shows us their connection building in strength, slowly but steadily. From ‘strange chemistry’ to ‘living in his company, unknowingly’; from entering a pub after six years to finally catching herself opening her hotel door to him in her nightdress, this book is as much Love’s story of growth as it is a love story. Of course, ‘the power struggle is an inevitable aspect of the man-woman relationship’ and so while I insist on calling it ‘love’, the story is a sweet, romantic rendition of the former too. 

In Part II, even though the linear narrative often skips many years together, the plot’s crests and troughs are kept limited to the central theme of the book; although by now we are more interested in Avantika’s story and Rohan calmly recedes to the background.

Ifs and buts

Of course, there are some. For instance, why has Sandhya felt obliged to explain every Hindi term in parenthesis right in the middle of the narrative? I thought it was unnecessary and also successful in breaking the reading flow. A glossary at the back of the book would have done just fine!

Then, at some points near the end of the book I realized how the readers are still being introduced to characters’ traits through the two narrations. It was not just late in the day but also  not required, because by then we knew Avantika and Rohan like the back of our hands. After all, it had been them talking about each other throughout the book.

Rhea’s reality (read to know more) was an unnecessary thread and I so wished Aarav, at the end of the book, got a chapter to voice his life. That would have been a fitting way to see a mature mother’s hard work in flesh-and-bones. Maybe, in a sequel to the book? 

Conclusion

A Second Spring’ is a tale about love with two protagonists but only one who manages to leave a mark in our thoughts. The book is how the story unfolds around her musing – ‘Thank God for normalcy. Thank God for family. I didn’t need anyone else, did I?’ and how she realizes that she does need someone only to re-examine her own decision, yet again. Overriding it all is ‘my sense of survival’ and a fantastic end which comes like a ‘Pleasant shock; joyous, explosive, unbridled’ making you wonder why the subtitle reads ‘It’s all about destiny’. (Please note that this sub-title is removed in second edition). Because this book is more about a mature woman’s bold, brave and wise decision-making ability rather than the fickleness of Fate alone. 

An easy and enjoyable read for lovers of this genre.


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#asecondspring #asecondspringbringsnewhope #sandhya #SandhyaJane #unconditionallove #lovestory #contemporaryromance #corporatelovestory 

#sandhyajane #secondspring #book #bestseller #life #novel #contemporaryroamnce #poetry #new-release #lovestory #breakup #longing #loss #grief #inspiration #meaningoflife #unconditionallove #mustread #AnthonyDoerr #PaulaHawkins #JohnGrisham #NicholasSparks #Stephen King #DavidBaldacci #MarkGreaney #LaurenGroff 

Sunday, October 5, 2014

I will be there for you...

When the memories will fade; 
I will appear as a ‘hope’ at your door step.

When you will be distracted by ‘greed’; 
I will appear as a ‘lighthouse’ to show you the path.

When you will be thirsty; 
I will appear as a ‘spring’ at every corner of your journey…

When you will be in ‘dilemma’; 
I will appear as an ‘inner voice’ to direct your thoughts.

When you will be sad; 
I will appear as a ‘clown’ to make you happy.

Whenever you will feel my ‘absence’; 
I will touch your heart and make you feel my presence…


---translated by Sandhya Jane..

-- Poet: Girish Morje